Daily journals (bell ringers)
Mon- What was your most memorable event over the holiday?
Tue- How does the part of music you are playing fit into the piece of music as a whole? In other words, what do you think your part is contributing to the overall sound of the piece?
Wed- Come up with a definition of what you think music is and your argument as to why your def is complete.
Thurs- Explain what the role of the conductor is.
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Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
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Week 1
Nov 30-Dec 4 |
Practice
Day
Review rhythm charts |
Practice
Day
Review rhythm charts |
Practice
Day
Review rhythm charts development |
Practice
Day
Review rhythm charts |
Practice
Day |
M- What solo and or ensemble pieces would you like to perform on Dec. 9th?
T- What is the difference b/t ¾ time and 6/8 time?
W- What is your biggest challenge for giving your best performance of your composition tomorrow?
T- Can you honestly say you’ve done your best work on your composition?
F- Happy Thanksgiving! I’m thankful for all of the wonderful people in my life, my health, and that I’m surrounded by music every day! What are you thankful for?
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Week 4
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Review article and ques.
Pract comp and choose Camellia gardens rep |
Review rhythm charts
Review info complete study guide for opera quiz |
Practice Day |
Perform/Record final
Version of compositions |
Opera terms and elements quiz |
Daily journals (bell ringers)
M- Give three critiques of your composition performance from Friday.
T- none meet in cafeteria to practice Vets Day (Salmen work on compositions)
W- What is your BEST technique to help with performance nerves?
T- How do you feel about your performance yesterday? Was it good/bad? Why?
F- none
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Week 3
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America of thee I Sing practice
Salmen -no school IDA |
PR- Veteran’s Day practice in cafeteria
Salmen -work on performing compositions |
Practice Day
Veteran’s Day Program
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Practice Day
Review rhythm chart
Complete application for Reflections |
(Mrs. Brina out –field trip)
Complete Intune article and questions |
Daily journals (bell ringers)
M- What do you think the pros/cons are to using supertitles at an opera?
T- Why is it that so many students have negative opinions of opera?
W- Which would you prefer to attend, a comic or tragic opera? Why?
T- Do you think that singing your emotions is easier than a general expression?
F- none
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Week 2
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Read “Elements of Opera” p141-144 |
Virtual Opera house Tour Project and Comparing a night at opera with night at movies |
Practice Day
Review rhythm chart
America of thee I Sing practice |
Practice Day
Review rhythm chart
America of thee I Sing practice |
Record Compositions for Reflections
America of thee I Sing practice |
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Unit Title: |
Begin Opera (continue Music Composition/ Performance) |
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Content Area: Music |
Grade: 9-12 |
Duration: approx. 2-3 weeks |
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Standards and Benchmarks:
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Compositions: M-CE-H2/3/4/5
Performances: M-AP- H6
Opera Unit: M-HP-H2/5/6 |
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Objectives:
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Gain an awareness and appreciation for opera culture, the history and elements that make it a unique art form.
Practice, perform and record compositions for PTSA’s Reflection competition.
Performance: based on IEP student will prepare repertoire |
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Resources and Materials:
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Kamien Text/ youtube opera excerpts/ Operation Opera San Diego Ed Program
Piano/ Instruments
Music Time Deluxe – music writing software
Flip Camera- video and record music for critiques |
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Differentiation:
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Individual and group discussion
Individual projects “A Virtual Visit to the Opera” and “Compare going to the opera with a night at the movies.” |
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Preparing Students for the Lesson:
· Transitions
· Expected behaviors
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I expect the students to complete with ease notes and definitions, however I feel the hands on opera project will give them a challenge and I expect to often redirect them while at the computers and repeat directions several times. |
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Assessment:
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Daily journals (bell ringers) / Homework
This week’s daily journals will consist of two musical terms and definitions. Copy and review each daily for a small quiz Friday.
M-
T- Other than vocal timbre, give three differences you think exist between an opera and musical.
W- Why do you think not many new operas are written today? What other forms of entertainment do we have now that did not exist when opera was at its peak of popularity?
T- What do you think you should wear to an opera?
F- none
Composition –graded completion deadlines
Performance/ Playing grades based on assigned literature and compositions for the individual student |
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Daily Learning Activities
*Skills Development and Evaluation Assessments
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Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
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Week 1
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Notes on Opera |
Define opera vocabulary words/Practice compositions |
Practice Day
Review rhythm chart |
Practice Day
Review rhythm chart |
Performance grade of compositions and printed scores |
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Week 2
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Read “Elements of Opera” p141-144 |
Virtual Opera house Tour Project and Comparing a night at opera with night at movies |
Practice Day
Review rhythm chart |
Practice Day
Review rhythm chart |
Record Compositions for Reflections |
http://www.metoperafamily.org/metopera/about/education/educatorguides/content.aspx?id=7200
Daily journals (bell ringers) / Homework
This week’s daily journals will consist of two musical terms and definitions. Copy and review each daily for a small quiz Friday.
M-
T- In your journal number from 1-20. You will have 1 min to identify notes in treble and bass clef.
W- none- class in cafeteria (PRHS) or lab (Salmen)
T- How does performing on a stage differ from performing in class? Which do you prefer
F- none
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Week 7
Oct 19-23 |
Teacher lead rhythm charts 11-20
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Rehearse music for RB, practice comp |
Practice Day
PRHS perform in café, Sal- Lib Lab |
Practice Day
Sal- lib lab |
Performance etiquette and critique day
ALL Compositions |
Daily journals (bell ringers) / Homework
This week’s daily journals will consist of two musical terms and definitions. Copy and review each daily for a small quiz Friday.
M- The next few weeks are performance practice days. Write three practice goals. Be specific.
T- What can Mrs. Brina do to help you reach your performance goals? Is this a reasonable request?
W- Name at least 4 expressive music elements you will add to your composition.
T- How much time have you spent at home this week working to improve your music? Was it enough? Why/why not?
F- none
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Week 6
Oct 12-16 |
Rehearse
Feed Me PR
Work on compositions Salmen |
Rehearse
Feed Me PR
Work on compositions Salmen |
Practice Day |
Practice Day
Salmen Lab |
Perform
Solo works
Flip Camera critiques
Salmen Lab |
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Week 4
Sept 28-Oct 2 |
Composition pract-worksheet
Completing phrases |
Composition
pract-worksheet
Repeating Patterns
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Practice Day |
Practice Day |
No school Parish Fair day |
Daily journals (bell ringers) / Homework
This week’s daily journals will consist of two musical terms and definitions. Copy and review each daily.
M- Legato (Italian: smooth) is used as an instruction to performers. It is the opposite of staccato, which indicates a shortening and consequent detaching of notes. Opus (= Latin: work) is generally used in the listing of a composer's works by opus numbers, usually abbreviated to Op.
T- A phrase in music, is a recognizable musical unit, generally ending in a cadence of some kind, and forming part of a period or sentence. Poco (Italian: little) is found in directions to performers, as in poco allegro, although un poco allegro, a little fast, would be more accurate. Poco, in fact, is commonly used meaning un poco, a little.
W- Quarter tone Divisions of the tone smaller than a semitone are occasionally found in art-music, particularly in the 20th century. Quarter-tones occur in the solo violin part of the Second Violin Concerto of Bel Bartk. Rubato, (Italian: stolen), is a direction to allow a player a measure of freedom in performance. The phrase tempo rubato is also found.
T- Rondo a musical form that involves the use of a recurrent theme between a series of varied episodes, often used for the rapid final movement of a classical concerto or symphony. Senza (Italian: without) is found in directions to performers, particularly in phrases such as senza sordino, without mute.
F- none
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Week 3
Sept 21-25 |
Work on compositions
Students learn MusicTimeDeluxe
Salmen- Lib. Lab |
PRHS- Work on compositions
Salmen- practice day |
Practice Day
Solo/ensemble pieces |
Practice Day
Solo/ensemble pieces
Salmen –lab day |
Performance Day
Salmen lab day |
Salmen High School
Unit Plan Template
Teacher Name: Brina Faciane
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Unit Title: |
Music Composition/ Performance |
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Content Area: Music |
Grade: 9-12 |
Duration: approx. 8 weeks |
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Standards and Benchmarks:
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M-CE-H2/3/4/5
M-AP- H6
M-CA-H3 |
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Objectives:
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Compose an original work of 64 measures that will be entered in the PTSA’s Reflection competition.
Performance: based on IEP student will prepare new repertoire focused on performing Oct. 25th for Rainbow Childcare benefit |
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Resources and Materials:
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Piano/ Instruments
Music Time Deluxe – music writing software
Flip Camera- video and record music for critiques |
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Differentiation:
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This composition project will be individual to each student. Guidelines and deadline will be given to facilitate appropriate student progress |
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Preparing Students for the Lesson:
· Transitions
· Expected behaviors
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I expect some students to write quickly and some to take much longer to come up with their own unique and original ideas. For those who compose fast I will encourage more advanced techniques of expression to be added. Other students will need more personalized, one on one help transcribing their music. I expect this to take most of my time in class. |
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Assessment:
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Daily journals (bell ringers) / Homework
This week’s daily journals will consist of two musical terms and definitions. Copy and review each daily for a small quiz Friday.
M-Air (= Italian: aria) appearing sometimes with the earlier English spelling ayre, means a tune or melody, for voice or instrument. Atonal music is music that has no specific tonality, is not in a specific key and therefore has no specific 'home' note or chord. The word atonality refers technically to various forms of 20th century music not in a key.
T-Cantabile (Italian: in singing style) appears often at the beginning of movements as in andante cantabile - at walking speed and in a singing style. Da capo (Italian: from the beginning), abbreviated to the letters D.C. at the end of a piece of music or a section of it, means that it should be played or sung again from the beginning
W- The word "flat", indicated by a sign derived from the letter b, shows that a note should be lowered by a semitone. In a more general sense music that is flat may simply be out of tune, its pitch below the accepted pitch. Glissando- to slide, the Italianized word is used to describe sliding in music from one note to another.
Th-In music an interval is the distance in pitch between two notes, counted from the lower note upwards, with the lower note as the first of the interval. Mosso (Italian: moved, agitated) is generally found in the phrases più mosso, faster, and meno mosso, slower.
F- none
Composition –graded completion deadlines
Performance/ Playing grades based on assigned literature for the individual student |
Daily Learning Activities
*Skills Development and Evaluation Assessments
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Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
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Week 1
Sept 8-11 |
Labor Day
no school |
Go over quiz
Brain storm ideas for comps/requirements
Musical motives |
Practice Day |
Practice Day |
Performance
Practice
Etiquette |
Unit Plan Template
Teacher Name: Brina Faciane
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Unit Title: |
Music Theory/ Performance |
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Content Area: Music |
Grade: 9-12 |
Duration: approx. 2 weeks |
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Standards and Benchmarks:
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M-CE-H4
M-AP- H1
M-CA- H2 |
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Objectives:
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Improve music notation reading skills
Identify Intervals by half step (using piano keyboard)
Identify Major Intervals aurally
Performance: based on IEP student will choose new repertoire |
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Resources and Materials:
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Piano (worksheet of piano keyboard)
Harmony in Context text and workbook
www.musictheory.net ; www.good-ear.com |
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Differentiation:
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Direct instruction, student lead instruction, cooperative activities, online drills |
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Preparing Students for the Lesson:
· Transitions
· Expected behaviors
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Basic goal is counting of half steps will lead to quickly recognizing intervals.
Students should use previous knowledge of major scales to quickly identify the Major and Perfect intervals within a given scale.
Written work and aural dictations will be a challenge, but applying the intervals on piano will break monotony as well as give the students a realistic use of transposing. |
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Assessment:
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Daily journals (bell ringers) / Homework
Daily ear training drills of intervals
Written and aural quiz
Performance/ Playing grades based on assigned literature for the individual student |
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Daily Learning Activities
*Skills Development and Evaluation Assessments
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Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
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Week 1
Aug 24-28 |
Go over quiz and grading
Introduce how many half steps are in intervals
M/P intervals aural |
How to use the piano to find intervals
Practice writing intervals with given notes |
Aural drill intervals
Practice Day |
Aural drill intervals
Practice Day |
Aural drill
Playing intervals quiz |
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Week 2
Aug31-Sept 4 |
Continue interval pract
www.musictheory.net
(turn off aug/dim and dbl accidentals) |
Continue interval identification worksheet A.6-A.11
+Compound intervals |
Aural drill intervals
Practice Day |
Aural drill intervals
Practice Day |
UNIT QUIZ
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High School Weekly Lesson Plan
Teacher: Brina B. Faciane Grade: 9-12 Subject: Talented Music Week: Aug. 17-21
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Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
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Weekly Overview:
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Unit Description: Theory: Rhythm/ Key Signature identification and placement
Performance: sight read and choose works for future performances
Essential Questions: Can you read and perform rhythms with accuracy? Can you identify the major keys in treble and bass clef? Given a key, can you place the correct number of #s/bs in the proper position in treble and bass clef? What information is placed on the circle of 5ths?
Resources/Materials: Ed Sueta Handouts of rhythm charts
Standards/Benchmarks/GLEs: see below |
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Objectives: |
TSW identify and define musical vocabulary and symbols. M-AP-H1
TSW comment daily in a journal on a specific topic from teacher . M-HP-H1
TSW accurately perform rhythms and identify beats and subdivisions of beats. M-CE-H4
TSW perform and complete peer critiques. M-CA-H5
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Student Learning Activities:
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Journal
- rhythm dictation matching
-Review different meter types
- bass clef practice (online drills and worksheet) |
Journal
-Practice Day |
Journal
-student compose rhythm compositions
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Journal
Practice Day
review for quiz |
Journal
QUIZ
Major Key signatures
Piano scales C,D,E,G,A right/left hand seperate |
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Homework: |
Practice
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Practice
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Practice
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Study for quiz |
Practice |
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Attachments:
Assessments: Teacher/peer critiques of performance.
Links:
How will I address literacy this week? Students keep a daily journal.
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