TeacherWeb

8th Grade English Room 212 at Dr. Kevin M. Hurley Middle School

turnerd@seekonk.k12.School Link
 
English Room 212 & Classroom Supplies
Video & URL Choices: Learning ABILITIES
Building Character "It'sTheLittleThings" "ThePowerOfThree"
Summer Reading and 8th Grade Orientation
Place At the Table Essential Question Keeping a Journal
Informational Texts: Long Island Express/ Hurricane '38 & Hurricane Carol 1954
Informational Texts Complex Themes WIZARD OF OZ L.FrankBaum vs. MGM American FairyTale
Informational Texts Short Stories/Novellas Washington Irving and SLEEPY HOLLOW Vocab&Text Complexity
Informational Texts, Veteran's Day, Nov.11: WorldWar I Dec.Truce and Primary Sources
DELIGHT SONG SpiritWeek & 7Billion Thanksgiving
Informational Texts Period Literature Charles Dickens CHRISTMAS CAROL Protagonist Profile Theme Complexity
Informational Texts Creation of Music Language of Literature
Informational Texts Drama LION KING Complex Themes &Visual Imagery
Informational Texts Period Literature U.S.History mid 1800's MarkTwain TomSawyer
Informational Texts Research&Technology DIARY of ANNE FRANK & PLACE at the TABLE ...I NEVER SAW ANOTHER BUTTERFLY
Informational Texts Poetry&PoeticLanguage Ballads, Odes, Elegies, Petrach's Sonnet, and Shakespeare's Sonnet
POWER OF LANGUAGE Essential Question and Autobiographical Anthologies
CROSS-CURRICULAR Ecology EarthDay Ecology WhaleWatch Literature MobyDick
Student Proposals & May/June ELA Integrated Studies
SUPERCORE Assessments/Rubrics
Handouts Info Texts
Handouts Nonfiction
Handouts Literature
Handouts Poetry
Handouts Grammar
Handouts Composition
Handouts "READING" Pers Learning Projects HANDMADE BOOKS 2&3D SCHEMATICS
URL RESEARCH PrimarySourceDoc LibraryOfCongress
VIDEO&PHOTOGRAPHY Documentary
URL RESEARCH Speeches, Media, Presidential Election
VIDEO&PHOTOGRAPHY Speeches & Our Collective Past
URL RESEARCH Literature&Poetry Writing&Media
VIDEO&PHOTOGRAPHY Poetry Music & the SpokenWord
URL RESEARCH SeekonkBicentennial RedSox Centennial
JPEG Binding Books
JPEG LiteraryTerms
JPEG TraditionalLiterature
QuickTime Movies Dr.KevinM.Hurley Middle School
PhotoJournal Autobio



Top Divider

 

Informational Texts Drama LION KING Complex Themes &Visual Imagery

To all: Should you choose to use these documents in your classroom or for any other purpose, please remember not only to cite this website as your resource, but also to request permission to use these documents. Requested permission is as easy as clicking on the mail icon at the top of the page and sending your request to me via email. Thank you.
 

This page has been updated for the 2011-2012 academic year.




1-8mm-projector.jpg   Reading Resources:

Resource: Interactive Script


Bookmark the Disney on Broadway Video Segments





1-8mm-projector.jpg   Skills and Strategies:

Massachusetts Common Core Frameworks: 
25.4 As a group, develop and use rubrics to improve organization and presentation of written and oral projects.
8.RL.5 Identify significant literary devices, such as symbolism or irony, which define an author’s, illustrator’s or film director’s style and explain how the style affects the mood and tone of a work.
8.RL.7 Analyze the beliefs and assumptions of the narrator/speaker in a literary work, or a central character in a film and provide details to support the analysis.
8.RL.8 Provide relevant evidence and examples to support an interpretation of a text, performance, or film. 
Massachusetts Frameworks


MA Frameworks: 
Making Connections
9.5 Relate a literary work to artifacts, artistic creations, or historical sites of the period of its setting.

Writing
19.22 Write and justify a personal interpretation of literary, informational, or expository reading that includes a topic sentence, supporting details from the literature, and a conclusion.
20.0 Consideration of Audience and Purpose
20.4 Select and use appropriate rhetorical techniques for a variety of purposes, such as to convince or entertain the reader.

Revising
21.6 Revise writing to improve organization and diction after checking the logic underlying the order
of ideas, the precision of vocabulary used, and the economy of writing.
21.7 Improve word choice by using a variety of references (dictionaries, thesauruses, dialects, …).
22.0 Standard English Conventions
22.8 Use knowledge of types of sentences (simple, compound, complex), correct mechanics (comma
after introductory structures), correct usage (pronoun reference), sentence structure (complex
sentences, properly placed modifiers), and standard English spelling when writing and editing.

Organize Ideas in Writing
23.10 Organize information into a coherent essay or report with a thesis statement in the
introduction, transition sentences to link paragraphs, and a conclusion.

Research
24.4 Apply steps for obtaining information from a variety of sources, organizing information,
documenting sources, and presenting research in individual projects:
• Differentiate between primary and secondary sources
• Differentiate between paraphrasing and using direct quotes in a report
• Document information and quotations and use a consistent format for footnotes and/or endnotes
• Use standard bibliographic format to document sources


Massachusetts Common Core




Massachusetts Frameworks: Informational Texts
a. Identify Main Topics and Ideas 
b. Identify the Connections to People and Places
c. Identify the Central Idea
d. Author's Point-of-view 
e. Author's Argument/Purpose 
f. An Opposing Point-of-view 
g. Media Used (Film, Advertisement, Text) 
h. Vocabulary: Identify Mood, Tone and Meaning 
i. Writing Style: Identify Paragraph Structure 


Literary Devices or the Language of Literature

Massachusetts Department of Education: Definitions: http://www.doe.mass.edu

Author’s Style: It is the writer’s unique way of communicating ideas. Elements contributing to style include word choice, sen- tence length, tone, figurative language, and use of dialogue.

Tone: Tone can be serious, humorous, sarcastic, playful, ironic, ...: It is an expression of a writer’s attitude toward a subject. Unlike mood, which is intended to shape the reader’s emotional response, tone reflects the feelings of the writer. 

Setting: It is the time and place of the action in a novel.

Mood: It is the feeling or atmosphere (setting) the writer creates for the reader. The use of connotation, details, dialogue, im- agery, figurative language, foreshadowing, setting, and rhythm can help establish mood.

Imagery: Words and phrases that create vivid sensory experiences for the reader. Most images are visual, but imagery may appeal to the senses of smell, hearing, taste, or touch.

Character Development: The method a writer uses to develop characters. There are four basic methods:
1. The writer may describe the character’s physical characteristics and appearance
2. A character’s nature may be revealed through his/her own speech, thoughts, feelings, or actions
3. The speech, thoughts, feelings or actions of other character’s can be used to develop a character
4. The narrator can make direct comments about another character

Plot: The plot is the action or sequence of events in a story. Plot is usually a series of related incidents that build to develop the story. There are five basic elements in a plot line: conflict, rising action, climax, falling action, denouement.

Theme: The theme is a central idea, primary action, or abstract concept that is made concrete in person, action, and image. Sometimes the theme is directly stated in the work, and some- times it is given indirectly. There may be more than one major theme in a given work, but there can be minor themes.

Symbol: A symbol is a person, place, or thing that represents something beyond itself. Symbols can succinctly communicate complicated, emotionally rich ideas.

Figurative Language: For example: author’s use simile, metaphor, personification, and/or hyperbole, etc., to convey a deeper meaning to the audience. Figurative Language is language that communicates ideas beyond the ordinary or literal meaning of the words. 







1-8mm-projector.jpg  Writing Resources:

Graphic Organizers for Collecting Data and Details About this Dramatic Productions
Elements of a Myth: Lion King of Mali Proof
Specific Journal Entries:  
Review Circle of Life Journal Entry "Old-fashion Cut and Paste"

Delicate Balances journal entry

 Painting journal entry

 Paw-prints journal entry and The Wind Is Changing journal entry

Wind Is Changing



Handouts Literature:






1-8mm-projector.jpg   Enrichment Resources:


Music Myth

We read the Mexican myth, The Creation of Music and learned how important music is to that culture and the different ways in which people experience music throughout the world.  

Think about the possibility of writing a myth about music.  Down the hall in room 207, Mr. Correia has suggested to his students that they might choose their favorite musician and transform that musician into the god of their music myth.   Watch the following clip and learn how music transformed the Broadway production of The Lion King, a myth about the balances and responsibilities of life; the sun-filled savannah and shadowy corners in life.  Will you choose a music myth???

What would the gods of your Music Myth look like?  How would the interact with others?  What kinds of imagery would you use to give vivid details to the setting of your myth?  What cultural influences would you use to shape the imagery?   What would your audience learn?  
What mythical elements would you include?  What excitement and knowledge will you share with your audience?

Understanding the Music Effect: The Disney Lion King Education Series






The Disney Lion King Education Series: From Screen to Stage





 



Character Development:

Review your Character Descriptions Study Guide

Character Profiles: Lion King


Disney Notes:

Meet the Characters

The Disney Lion King Education Series

 



Characters and Costumes: The Disney Lion King Education Series




Masks and Characters and Costumes: The Disney Lion King Education Series





Disney Studio Narrates:
a. Story Origins: TRANSCRIBED FROM THE 1994 Disney DVD - Special Features: 

1. The story connects itself to primal stories. 

 You are entering in that world that has always dealt with large, basic principles and basic abstracts.

 The more you try to make it authentic and true and deeper and more resonant, the more it is going to be like the great myths that have endured and resonate now.

 These are fundamental elements of the human experience: betrayal, redemption, fitting in.

2. Because we were intentionally trying to work in the realm of archetypes, I think, then, as soon as you do that you see how it relates to other great mythical 

stories.


Whether, it’s scholars like Bettelheim and Uses of Enchantment or, of course, Joseph Cambell and his analysis of the hero’s journey.  Even more contemporary versions of primal tales like the Shakespearean angle, of course, the Hamlet angle that gets talked about.

We took in all of that as we began to shape the story.

Simba and Nala:  Whoaaaa…


 



b. Timeless Themes:  
TRANSCRIBED FROM THE 1994 Disney DVD - Special Features: 


Disney Notes:

The Disney Lion King Education Series: Behind the Story



TRANSCRIBED FROM THE 1994 Disney DVD - Special Features: 

One of the interesting things in the process, I think, is sorta finding the themes.  Sometimes, you go through these kinda soul-searching times when you begin to question: Is this really our theme? or Is there another theme emerging?

I think from very early on we were going to take on the telling of a story about coming of age, and because it was about kingship, it was the taking of responsibility.

                  Mufasa: “One day, Simba, the sun will set on my time here and will rise with you as the new king.”

In this case, the story was telling you that it wanted to tell - itself - about responsibility.

The metaphor of how are you responsible for your own community; how are you responsible in your own family.  I think that is something universal that people can relate to and I think it is always appropriate.

Whether it is expressed as loyalty; whether it is expressed as taking your place in the circle of life, this notion that Simba takes responsibility for himself and realizes that, although, he makes mistakes he must go back.

Rather than checking out of life because life is too hard, he choose to actually go do something that is much more life-affirming.  It was very important to embody that theme about taking responsibility and about the defining moment that happens when you choose to stand up.   We were talking about how were we going to teach the lesson; how were we going to convey it.  ..and then, Irene, as a joke, said: “Why doesn’t he just hit him over the head?”

                  Rafiki hits Simba over the head.

                  Simba: “GEEEEZE, What was that for?”

                  Rafiki: “It doesn’t matter, it is in the past.

And that’s one of those times when the crazy idea becomes the great idea.

You think you have a theme, and as the movie pulls together, it becomes more apparent in each scene.

We wanted to not skirt the issue of death, because it was essential to the story.  It’s the big story that every one deals with – it’s about dealing with life in the face of death. 

                  Mufasa: “Simba, let me tell you something that my father told me.  Look at the

  stars.  The great kings of the past look down on us from those stars”

                  Simba: “Really?”

                  Mufasa: “Yes.  So, whenever you feel alone, just remember that those kings will

 always be there to guide you …and so will I.”

Life is about balances and it is the contrasts of it all that make it work.  Sun only shines in contrast to the darkness.  So, the brighter you want the movie to be, the more celebratory and joyous, you have to, at times, go into the darkness and show that side of the movie.  You had to deal with the bottom rung of life in terms of loss to be able to celebrate the last scene of all the gain that this character goes through.   Experiencing the full spectrum of life from joy to sorrow; from hopes to hurts. …and all of that spectrum is what we tried to follow in what we asked of the audience.

So, it sorta goes beyond the quotation marks of story-telling and it speaks to experience.  It doesn’t matter how bad things are or can get, you can get through it and the human spirit can rise above everything, 

The strength of animation - and certainly the team of artists that made The Lion King - is that together we made something that not one of us could have made on our own.  …and that is a very magical thing.

We are all part of something bigger than us; that we all belong and our time here is brief, but that our impact can be everlasting, if we will stay part of that circle of life 

 
 


c. The Story Comes to Life: 
TRANSCRIBED FROM THE 1994 Disney DVD - Special Features: 
My Notes: As we read and examine the work of the artists, writers and theater crews who created and recreated The Lion King, know you will be drafting your own myth.
   
Use the following resources to begin thinking about and crafting the plot, setting, imagery, and mood of
  your myth. 

Elements of Fiction Review: 

Plot Visual Aid

The Disney Lion King Education Series: Setting the Stage




Dance and Movement Bring the Characters and Story to Life

The Disney Lion King Education Series




TRANSCRIBED FROM THE 1994 Disney DVD - Special Features: 
In retrospect people go back and analyze the movie and say, “Oh, how clever, they wove in these influences and those influences.”   If you really saw how the movie was put together you would say, “Oh, my god,  you mean they did it this way?”

We made each other laugh, so much, during these story sessions and script sessions.  There was a great mixture of people in the room that we could bounce off of each other and we could write together and create together.

We would be rushing into a recording session and like, you know, shoving pizza into our mouths … and sitting in the lobby – we’ve got to come up with something for Nathan (Timon) to say.  It’s done very spontaneously and it’s like playing jazz and the ideas start to come together and inspire other ideas and that turns into the movie.  (storyboard clips)

All works of art … all great works of art always are from the process and they are not always self-evident while you are doing them. 

Image on the screen needn’t be epic and vast and grandiose - although, we tried to do all those things.  One of the most compelling images is of the father’s (Mufasa’s) paw print and Simba’s little paw going into it.  It had everything to do with ideas and Robin and Roger had an idea about the thematic between father and son and the son taking his father’s place.  I think it became really moving for the audience after awhile.  (Mufasa: Remember… )

We are artists and film-makers, so intuitively you bring your emotions and feelings to the table.  We all – Robin, Roger, and I and so many of us - had strong feelings about our dads and our relationships with our families.  

My father died just a few years before we started The Lion King.  It was definitely in there informing the whole thing.  I know when we finished the movie one of the things we decided to do was to dedicate it to our fathers; to all fathers, which I thought would be a nice idea. 

Clearly, there is an element in the movie … ah … I’ve always called the daddy issue.  What have I resolved with my father; what remains; what guilt do I have that was never cleared with my father?

Simba has this horrible guilt that he feels that he somehow has caused his father’s death – and then the chance to go back; the chance to see his father …

We were building this idea of Mufasa returning.   That idea wasn’t always in the story and in the very early drafts Mufasa dies and that’s it!   I think, when we went into our major re-looking into the story that was one of the main things we came up with was that Mufassa would return in Simba’s hour of need.  I think that is something that internally we have all dreamed of but never talked about.  Wouldn’t you love to reach out in time and touch your father; your ancestor – someone who came before you and say. “What do I do; what am I doing wrong?  Show me the way!”  Simba gets to do that. 

Mufasa: “You have forgotten who you are and so forgotten me.   Look inside yourself, Simba.”

It’s very cryptic, but it’s really meaningful because the theme then is the answer is not out there somewhere (points away from his body), but the answer is in there (points to his heart).

 


1. Review - Character Development
2. Review - Story Origins  
3. Review - TImeless Themes
4. Review - Story Comes to LIfe  
                       

 

 

Disney - The Lion KIng - "Circle of Life"




Broadway - The Lion King - "Circle of LIfe"





After previewing the opening three scenes, check your class notes to see if you have the information you need to answer the following questions.  No:)  The questions are not homework.  The questions are a strategy you can use to check the quality  of your notes.  If you have the answers in your notes then, "Well done!"  If you do not have the answers in your notes, then "What could you do better?"

"Circle of Life" opening scene:
  • Identify the conflict of the myth.  (Look back to the commentary from the writers and artists - Thursday, October 7th)
  • Discuss the orange titles printed on a black background with respect to the conflict of this myth.
  • Discuss the Disney icon emerging on a black background  - no sound - with the same icon and background - jungle animals sounds - transitioning to the sunrise.
  • Discuss the imagery, symbolism, sounds, and colors in the opening scene with respect to the conflict of the myth.
  • Identify the themes of the myth.  (Look back to the commentary from the writers and artists - Thursday, October 7th)
  • Discuss the colors  in the title over black background opening seconds.
  • Discuss the animal silhouettes against the oranges of the sunrise.  
  • How does the reverse of these color sequences identify the theme explained: " 

    Life is about balances and it is the contrasts of it all that make it work.  Sun only shines in contrast to the darkness"

  • We noticed a baby giraffe stepping out of the protective shadow of its mother in the "Circle of LIfe" scene.  "...and blinking stepped into the sun" were the lyrics we heard as this happened.  As the Disney writers and artists made the final revisions, why do you think it was important to sync this image and these lyrics?  How does this image and these lyrics foreshadow the theme explained as, 
     

    We are all part of something bigger than us; that we all belong and our time here is brief, but that our impact can be everlasting, if we will stay part of that circle of life." 

  • Bullet examples of the cultural influences illustrated in the "Circle of Life" scene.

  • Bullet examples of respect for others and respect for life illustrated in the "CIrcle of Life" scene.

  • How can you use these techniques to mature your writing style as you continue to write your own myth?


 

"Scar" scene:
  • Explain the opening lines spoken by Scar: "Life's not fair, I shall never be king and you shall never see the light of another day."  (HInt:  Do not forget the importance of the fact that Scar is in the darkness of a cave and his words speak of the "light of another day")
  • Compare the "Circle of LIfe" scene with the "Scar" scene.  Identify the contrasts between Mufasa and Scar.
  • Compare the "Circle of LIfe" scene with the "Scar" scene.  Identify the contrasts between the last two images of the savannah.  (The savannah is filled with peaceful shades of blue and mauve.  The mode is serene.  verses  Rain falling on the savannah quietly and gently at first and then building to a torrential downpour.  The colors are darker - grey shades with touches of blue.)
  • How can you use these techniques to mature your writing style as you continue to write your own myth?


 


"Morning Report"



Disney "Morning Report"



"Morning Report" scene:
  • Why did the writers and artists change the pace of the first two scenes and craft this scene with humor?
  • How can you use this technique to mature your writing style as you continue to write your own myth?
  • Explain the difference between situational irony and irony.  Use the examples I gave in class to support your explanation.
Note:  If you scroll down to Tuesday, October 12th, you can watch the "Morning Report" scene again.




 


Lion KIng:  Around the World - cultural Influences and the learning from other cultures :)







1-8mm-projector.jpg  
Class Notes


Week of January 23 - 27

Review Enrichment Resources: Disney Education Series

Hint:  Remember to take notes based on the 9 elements of INformational Texts
1. Review - Character Development
2. Review - Story Origins  
3. Review - TImeless Themes
4. Review - Story Comes to LIfe  


Massachusetts Frameworks: Informational Texts

a. Identify Main Topics and Ideas 
b. Identify the Connections to People and Places
c. Identify the Central Idea
d. Author's Point-of-view 
e. Author's Argument/Purpose 
f. An Opposing Point-of-view 
g. Media Used (Film, Advertisement, Text) 
h. Vocabulary: Identify Mood, Tone and Meaning 
i. Writing Style: Identify Paragraph Structure 


 


Week of January 30 through February 3:

1. Re-read the transcript we used in class Story Origins, Timeless Themes, and Story Comes to Life
Massachusetts Frameworks: Informational Texts
a. Identify Main Topics and Ideas 
b. Identify the Connections to People and Places
c. Identify the Central Idea
d. Author's Point-of-view 
e. Author's Argument/Purpose 
f. An Opposing Point-of-view 
g. Media Used (Film, Advertisement, Text) 
h. Vocabulary: Identify Mood, Tone and Meaning 
i. Writing Style: Identify Paragraph Structure 




2. Research Lyrics
Copy, paste and cite lyrics that describe the "connections to people and places" in your life.
Write a one page journal entry (font 12, double-spaced, Ariel or Times New Roman) to describe the importance of these connections to you.



3. Preview the Disney Lion King Education Series.
Use the Elements of Informational Texts to organize the data you collect when you preview theses videos.

Massachusetts Frameworks: Informational Texts
a. Identify Main Topics and Ideas 
b. Identify the Connections to People and Places
c. Identify the Central Idea
d. Author's Point-of-view 
e. Author's Argument/Purpose 
f. An Opposing Point-of-view 
g. Media Used (Film, Advertisement, Text) 
h. Vocabulary: Identify Mood, Tone and Meaning 
i. Writing Style: Identify Paragraph Structure 




4. Online Google Apps Chat

DISCUSSION MEETING DATES: Tuesday, January 31st & Wednesday, February 1st

AVAILABLE MEETING TIMES: 4:00, 7:00 and 9:00 PM           (20-minute sessions)

Attendance will be taken five minutes into the session, and again at the end of each session.

Discussion Topics
a. The importance/relevance of myths (in ancient times and today)
b. Mythical Elements
  • General: During ancient times(and in some cultures today), myths were told to explain the unknown. The peoples of ancient times believed myths were true explanations of the rise and fall of tides, sunrises, sunsets, stars in the sky, great storms, ...
  • The main characters (protagonists) in a myth are gods and/or supernatural beings.
  • Settings in a myth include places in the universe and on Earth. Authors use imagery to describe the setting and the mood of the myth.
  • Mythical themes usually explain the creation of something: for example, music, an eclipse, sunrise.
  • Rational: Myths were stories told to teach and explain the science, philosophy, and theology of the ancient worlds.
c. Similarities/Differences among various cultures’ myths
d. Themes which apply to the myths we have read (use Cheat Sheet Organizer)

e. The Creation of Music
  • The hierarchy of Aztec gods (balance of power between deities)
  • Associating colors with emotions and mood
  • The Sun as an antagonist

f. Sundiata: Lion King of Mali
  • Sogolon Kedjou vs. Sassouma Bérété
  • The nine witches (compare them to the witches of Oz)
  • Compare and contrast the upbringing and apprenticeship of Sundiata
  • The importance of the griot in Mali culture/storytelling
  • Possible alternate endings - Which animal spirits would Sundiata’s son inherit?

g. Disney’s “The Lion King”
  • Timeless themes
  • Story Origins
  • Allegory
  • Prior knowledge of Disney films and their themes/plots                
  • SCROLL DOWN to the next page for Discussion vocabulary and important notes

Key Terms
drama :a genre of writing or literature that is intended to be performed for an audience (i.e. play, movie, musical, cartoon, etc.); in a drama, the story is told mostly through dialogue between characters, monologue and variation of scenery/soundtrack
allegorya story in which characters, things and actions symbolically represent other characters or a much greater idea about life (i.e. Circle of Life)
dramatic ironya dramatic technique; the audience intentionally knows more than the characters through narration and monologue; creates a “plot twist” (i.e. the audience knows that Scar is envious of Simba and a threat to his well-being, but Simba is too young to understand it himself)

Vocabulary List
  • actor/actress
  • album
  • animation
  • animator
  • audience
  • audio
  • body language
  • camera
  • cartoon
  • cast
  • cinematography
  • CGI (computer-generated imagery)
  • comedy
  • composer
  • costume
  • creativity
  • cue
  • designer
  • director
  • DVD (digital video disc)
  • emotion
  • entertainment
  • expression
  • film
  • filmmaker
  • movie
  • musical
  • play
  • production
  • prop (stage-prop)
  • recording
  • scene
  • scenery
  • score (musical)
  • screenshot
  • screenwriter
  • script
  • set (setting)
  • songwriter
  • soundtrack
  • stage
  • storyboard
  • studio
  • suspense
  • theater/theatre
  • tragedy
  • video

 


Week of February 6 through 10

1. Disney Education Series: 
Opening class by reviewing one 5-7 minute video from the Disney Education Series
Note: Students used "homework time" Friday, January 27 through Tuesday, January 31 to preview these videos

Massachusetts Frameworks: Informational Texts
a. Identify Main Topics and Ideas 
b. Identify the Connections to People and Places
c. Identify the Central Idea
d. Author's Point-of-view 
e. Author's Argument/Purpose 
f. An Opposing Point-of-view 
g. Media Used (Film, Advertisement, Text) 
h. Vocabulary: Identify Mood, Tone and Meaning 
i. Writing Style: Identify Paragraph Structure 



2. Monday through Friday:
Class Discussions are driven by the following Massachusetts Frameworks:

Massachusetts Common Core Frameworks: 
1. Students will create and use graphic organizers as a strategy for taking notes during class.
MA.25.4 As a group, develop and use rubrics to improve organization and presentation of written and oral projects.

2a. Students will identify symbols, metaphors, puns, illustrator's techniques, and lyrical elements.
2b. Students will use these literary devices to discuss the author's style and dig deeper into the meaning of the myth by discussing the mood and tone of each scene.
MA.8.RL.5 Identify significant literary devices, such as symbolism or irony.
Use the literary devises to define the author's style.
Explain how the author's style affects the mood and tone of a work.

3. Students will analyze, discuss the beliefs and assumptions of the characters.  The discussion is based on relevant evidence from the script.
MA.8.RL.7 Analyze the beliefs and assumptions of the a central character in a film.
Provide details to support the analysis.

4. Students will share personal interpretations of each scene during class discussions.
8.RL.8 Provide relevant evidence and examples to support an interpretation of a text, performance, or film. 


Monday: 
Opening Scene symbols, metaphors, explicit and implicit reading/viewing skills and strategies

Tuesday:
Scenes and symbols, metaphors, explicit and implicit reading/viewing skills and strategies
  • “Mouse / Challenge” Scene
  • “Painting” Scene (first of three “Painting scenes)
  •  “Painting Scene” Journal Entry: What is the significance of the “Painting Scene”
  • “The Sunrise/Pouncing Scene”
  • “Sunrise/Delicate Balances” Journal Entry (foreshadows the three “Star” scenes.)
Wednesday:
Scenes and symbols, metaphors, explicit and implicit reading/viewing skills and strategies
  • “The Morning Report” Journal Entry
  • “Scar Tricks Simba” Scene
  • “Bath Scene – Transition/Intro to Water Hole” Scene
  • “Water Hole” Scene
  • “Elephant Graveyard - Hyena Scene”
Thursday:
Scenes and symbols, metaphors, explicit and implicit reading/viewing skills and strategies

  • “Disciplinary - Stars Scene”
  • “Pawprint” Journal Entry: Explain the symbolism of Simba’s tiny, cub paw in Mufasa’s pawprint
Friday:
Scenes and symbols, metaphors, explicit and implicit reading/viewing skills and strategies
  • “Be Prepared” Scene
  • “Stampede” Scene 
  • “Buzzards” Scene (second of three “Painting” scenes)
  • “Buzzards” - Intro to “Hakuna Matata” Scene
  • “Hakuna Matata” Scene

Literary Devices or the Language of Literature

Massachusetts Department of Education: Definitions: http://www.doe.mass.edu

Author’s Style: It is the writer’s unique way of communicating ideas. Elements contributing to style include word choice, sen- tence length, tone, figurative language, and use of dialogue.

Tone: Tone can be serious, humorous, sarcastic, playful, ironic, ...: It is an expression of a writer’s attitude toward a subject. Unlike mood, which is intended to shape the reader’s emotional response, tone reflects the feelings of the writer. 

Setting: It is the time and place of the action in a novel.

Mood: It is the feeling or atmosphere (setting) the writer creates for the reader. The use of connotation, details, dialogue, im- agery, figurative language, foreshadowing, setting, and rhythm can help establish mood.

Imagery: Words and phrases that create vivid sensory experiences for the reader. Most images are visual, but imagery may appeal to the senses of smell, hearing, taste, or touch.

Character Development: The method a writer uses to develop characters. There are four basic methods:
1. The writer may describe the character’s physical characteristics and appearance
2. A character’s nature may be revealed through his/her own speech, thoughts, feelings, or actions
3. The speech, thoughts, feelings or actions of other character’s can be used to develop a character
4. The narrator can make direct comments about another character

Plot: The plot is the action or sequence of events in a story. Plot is usually a series of related incidents that build to develop the story. There are five basic elements in a plot line: conflict, rising action, climax, falling action, denouement.

Theme: The theme is a central idea, primary action, or abstract concept that is made concrete in person, action, and image. Sometimes the theme is directly stated in the work, and some- times it is given indirectly. There may be more than one major theme in a given work, but there can be minor themes.

Symbol: A symbol is a person, place, or thing that represents something beyond itself. Symbols can succinctly communicate complicated, emotionally rich ideas.

Figurative Language: For example: author’s use simile, metaphor, personification, and/or hyperbole, etc., to convey a deeper meaning to the audience. Figurative Language is language that communicates ideas beyond the ordinary or literal meaning of the words. 



 


Week of February 13 - 17

Class Discussions are driven by the following Massachusetts Frameworks:

Massachusetts Common Core Frameworks: 
1. Students will create and use graphic organizers as a strategy for taking notes during class.
MA.25.4 As a group, develop and use rubrics to improve organization and presentation of written and oral projects.

2a. Students will identify symbols, metaphors, puns, illustrator's techniques, and lyrical elements.
2b. Students will use these literary devices to discuss the author's style and dig deeper into the meaning of the myth by discussing the mood and tone of each scene.
MA.8.RL.5 Identify significant literary devices, such as symbolism or irony.
Use the literary devises to define the author's style.
Explain how the author's style affects the mood and tone of a work.

3. Students will analyze, discuss the beliefs and assumptions of the characters.  The discussion is based on relevant evidence from the script.
MA.8.RL.7 Analyze the beliefs and assumptions of the a central character in a film.
Provide details to support the analysis.

4. Students will share personal interpretations of each scene during class discussions.
8.RL.8 Provide relevant evidence and examples to support an interpretation of a text, performance, or film. 



Monday, February 13
  • "Hakuna Matata"Scene
  • "Zazu Sings" Scene
  • "Second Star" Scene
Tuesday, February 14
  • "Discover" Scene  (third of three "Painting' Scenes)
  • "In the Jungle" Scene
  • "Can You Feel the Love Tonight" Scene
Wednesday, February 15
  • Administrators schedule Professional Development for ELA teachers.
  • Students will take a midterm proctored by the substitute teacher.
Note:  Students will complete two MCAS selections that reflect the explicit/implicit reading, identification/explanation, and open-response writing skills and strategies students have been practicing since September.  One selection is nonfiction (informational text).  The second selection is fiction. These MCAS selections are part of the databased of MCAS samples posted by the department of education in the Commonwealth of Massachusetts since 1998.  

Thursday, February 16
  • "Hammock" Scene (third of three "Star" Scenes
  • "Timon and Nala" Scene
  • "Running" Scene
  • "Ledge" Scene
Friday, February 17
  • "Hula" Scene 
  • "Confrontation" Scene (images and dialogue mirror "Stampede" Scene)
  • "Confrontation" Scene (images mirror "Circle of Life" Scene)
  • "Confrontation" Scene (This might be call "The Next Generation of the CIrcle of Life" Scene)






1-steamboat.jpg   
Period Literature U.S.History mid 1800's MarkTwain TomSawyer



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